These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Fleda read that last sentence over more times even than the rest; she was baffled—she couldn't think at all of what it might be. This was indeed because it might be one of so many things. She made for the present no answer; she merely, little by little, fashioned for herself the form that her answer should eventually wear. There was only one form that was possible—the form of doing, at her time, what he wished. She would go down to Poynton as a pilgrim might go to a shrine, and as to this she must look out for her chance. She lived with her letter, before any chance came, a month, and even after a month it had mysteries for her that she couldn't meet. What did it mean, what did it represent, to what did it correspond in his imagination or his soul? What was behind it, what was beyond it, what was, in the deepest depth, within it? She said to herself that with these questions she was under no obligation to deal. There was an explanation of them that, for practical purposes, would do as well as another: he had found in his marriage a happiness so much greater than, in the distress of his dilemma, he had been able to take heart to believe, that he now felt he owed her a token of gratitude for having kept him in the straight path. That explanation, I say, she could throw off; but no explanation in the least mattered: what determined her was the simple strength of her impulse to respond. The passion for which what had happened had made no difference, the passion that had taken this into account before as well as after, found here an issue that there was nothing whatever to choke. It found even a relief to which her imagination immensely contributed. Would she act upon his offer? She would act with secret rapture. To have as her own something splendid that he had given her, of which the gift had been his signed desire, would be a greater joy than the greatest she had supposed to be left to her, and she felt that till the sense of this came home she had even herself not known what burned in her successful stillness. It was an hour to dream of and watch for; to be patient was to draw out the sweetness. She was capable of feeling it as an hour of triumph, the triumph of everything in her recent life that had not held up its head. She moved there in thought—in the great rooms she knew; she should be able to say to herself that, for once at least, her possession was as complete as that of either of the others whom it had filled only with bitterness. And a thousand times yes—her choice should know no scruple: the thing she should go down to take would be up to the height of her privilege. The whole place was in her eyes, and she spent for weeks her private hours in a luxury of comparison and debate. It should be one of the smallest things because it should be one she could have close to her; and it should be one of the finest because it was in the finest he saw his symbol. She said to herself that of what it would symbolize she was content to know nothing more than just what her having it would tell her. At bottom she inclined to the Maltese cross—with the added reason that he had named it. But she would look again and judge afresh; she would on the spot so handle and ponder that there shouldn't be the shade of a mistake.!

It was this that formed the element through which Mona loomed large; Fleda had enough imagination, a fine enough feeling for life, to be impressed with such an image of successful immobility. The massive maiden at Waterbath was successful from the moment she could entertain her resentments as if they had been poor relations who needn't put her to expense. She was a magnificent dead weight; there was something positive and portentous in her quietude. "What game are they all playing?" poor Fleda could only ask; for she had an intimate conviction that Owen was now under the roof of his betrothed. That was stupefying if he really hated Mona; and if he didn't really hate her what had brought him to Raphael Road and to Maggie's? Fleda had no real light, but she felt that to account for the absence of any result of their last meeting would take a supposition of the full sacrifice to charity that she had held up before him. If he had gone to Waterbath it had been simply because he had to go. She had as good as told him that he would have to go; that this was an inevitable incident of his keeping perfect faith—faith so literal that the smallest subterfuge would always be a reproach to him. When she tried to remember that it was for herself he was taking his risk, she felt how weak a way that was of expressing Mona's supremacy. There would be no need of keeping him up if there were nothing to keep him up to. Her eyes grew wan as she discerned in the impenetrable air that Mona's thick outline never wavered an inch. She wondered fitfully what Mrs. Gereth had by this time made of it, and reflected with a strange elation that the sand on which the mistress of Ricks had built a momentary triumph was quaking beneath the surface. As The Morning Post still held its peace, she would be, of course, more confident; but the hour was at hand at which Owen would have absolutely to do either one thing or the other. To keep perfect faith was to inform against his mother, and to hear the police at her door would be Mrs. Gereth's awakening. How much she was beguiled Fleda could see from her having been for a whole month quite as deep and dark as Mona. She had let her young friend alone because of the certitude, cultivated at Ricks, that Owen had done the opposite. He had done the opposite indeed, but much good had that brought forth! To have sent for her now, Fleda felt, was from this point of view wholly natural: she had sent for her to show at last how much she had scored. If, however, Owen was really at Waterbath the refutation of that boast was easy. "She was there, day before yesterday, only for a few hours. She met him in London and went down to see the things."

"Distinctly with the threat of enforcement—what would be called, I suppose, coercion." "Anything you don't know I dare say I can tell you!" Owen observed as he impatiently smoothed his hat with the cuff of his coat. Fleda's line had been taken, her word was quite ready; on the terrace of the painted pots she broke out before her interlocutress could put a question. "His errand was perfectly simple: he came to demand that you shall pack everything straight up again and send it back as fast as the railway will carry it."